English Composition Class @ LVS Online

March 15, 2010

Formatting Information for Academic Essay Formats

Filed under: English Composition — Connie @ 11:04 pm

Below is some information that will help you format this essay and future essays.

How to set headers with page numbers in Microsoft Word.

Click on Insert in the top toolbar. Then, click on Page Number and in the pull down menu, click on “top of page.” Then, click on “Plain number 3.” Insert your title (APA) or name (MLA) before the page number. You may need to click on Home in the top toolbar. Highlight the title and page and click on the right justification.

How to set up double spaced Essays in Microsoft Word.

First, highlight all of the text in the essay—hold down “ctrl” key and the “a” key at the same time, which this will select all of the text. Then, click on the Home tab at the top of the page. Then, click on the arrow in the right hand corner of Paragraph. This will bring up a pop up with information for formatting the essay. Change the “Line Spacing” to double in the pull down menu. Then, click ok, which should double space the entire essay.

How to set up your Page Margins in Microsoft Word. In the top tool bar, click on Page Layout and below the tab on the bottom right you will see Page Setup and an arrow in a box. Double click on the arrow in the box, which will open a dialog box. You will see margins for the left, right, top, and bottom. Make sure each one is set to 1 inch and click Ok at the bottom of the box. This should automatically set up your margins correctly. Save the document after you perform this action because if you have a problem with the program or your computer, you do not have to do it again. You can also set it up as a default for all documents by clicking Default at the bottom left corner and then, click Ok.

How to set up your Headers and Footers in Microsoft Word. In the top tool bar, click on Insert and then you will see Header and Footer in the middle of the tool bar. Click on Header and you will see a dialog box, which you need to click on Blank. This will bring up a box for you to type your information in, which then appear on each page. When you are finished, click on close Headers. (Footers are done the same way.)

How to set up an APA Format Bibliography in Microsoft Word. In the top tool bar, click on References and then look in the box below the tab for Style. Click on Style and a box will come up asking you what format such as APA, MLA, Chicago, and so forth.. Next, click on Bibliography and this will bring up a box in your text for you to enter your information.

Writing Web Sites

Filed under: English Composition — Connie @ 11:01 pm

150 Resources to Help you Write Better

http://oedb.org/library/features/150-writing-resources

This web site provides information, links, and resources to help you write better.

A Grammar for Reading and Writing

http://www.criticalreading.com/grammartoc.htm

This web site provides links to grammar references.

Logic in Argumentative Writing

http://owl.english.purdue.edu/owl/resource/659/01/

This web site provides information and links for using logic within your writings.

February 3, 2010

Word and Text

Filed under: English Composition — Connie @ 12:32 am

Anaphora: Words or phrases like pronouns are anaphora when they point backwards to something earlier in the text:

Ex: Helen needed the book and asked me to hurry up with it.

Here, it is anaphoric because it refers back to the noun book.

Cataphora: Words or phrases like pronouns are cataphora when they point forwards to something later on in the text: As he was unaccustomed to it, Jake found the pressure very hard to deal with.

Here, it is cataphoric because it refers forwards to the noun pressure.

Cleft Sentences: is one where the original clause is divided into two clauses:

Ex: John took the money.

Ex: It was John who took the money.

Ex: It was the money that John took.

The original sentence has a single clause, but in the two cleft sentences, there are two clauses and this can have the effect of changing the emphasis to focus on John in the first and the money in the second.

Deixis: Words or phrases that can only be understood from the context of the text or utterance where they are found are deictic:

Ex: Tom’s interview was about to start and he was feeling nervous about it.

Here, from the context, we know that he refers to Tom and it refers to the interview; these are examples of deixis.

Dyad: Two people speaking is a dyad; the smallest unit of communication. Relationships between people; employer employee, etc., are dyads as well.

Ellipsis: is the omission of one or more words that are understood in the context, but which are required to make the sentence or utterance grammatically correct.

Ex: Ellipsis is also the name of the three dots (…) used as punctuation to show that some written text is incomplete.

Endophora: Words or phrases like pronouns are endophora when they point backwards or forwards to something in the text:

Ex: As he was late, Harry wanted to phone his boss and tell her what had happened.

Here, he is endophoric because it refers forwards to the proper noun Harry and her refers back to the noun boss.

Exophorc: Exophoric language points to something outside the language of the text, which is understood in the context:

Ex: Take a look at this.

Here, this refers to something that the speaker and listener can see and understand, but which has no meaning outside the context- we don’t know what this is- exophora.

Major Sentence: is a term used for a full sentence, containing a Main Verb and a Subject that is either present or readily identifiable.

Minor Sentence: is one that does not necessarily have a main verb in it, but which can be understood as a complete unit of meaning.

Ex: ‘What time are you leaving?’

Ex: ‘Three.’

Paragraphs: is an organizational feature of written English, and many other languages as well. It is a group of sentences, or possibly a single sentence, separated from the rest of the text by a space above and below it or by indenting the first line (leaving a space between the margin and the first word). A paragraph usually contains sentences that deal with one topic, and a new paragraph signals a change of topic.

Phrases: is a group of words that go together, but do not make a complete sentence.

Sentence Fragment: Sentence fragment does not necessarily have a main verb in it, but can be understood as a complete unit of meaning.

Ex: ‘Who did you see?’

Ex: ‘Tom.’

Here, Tom is a minor sentence; it has no verb, but the listener will understand that the person means I saw Tom.

Minor sentence is another term with the same meaning.

Sentence Simple: contains one subject and one main verb: it contains one independent clause.

Ex: I like coffee

This is a simple sentence with one subject and one verb forming an independent clause. A simple sentence can, of course, include other things:

Ex: I like a couple of cups of coffee first thing in the morning.

Text: is a body of language; it could consist of a single word like ‘Ladies’ or ‘Gentlemen’ on a toilet door right up to a complete book and can be either written or spoken.

Topic Sentences: the topic sentence is a sentence that sets out the main idea or topic of a paragraph. It is often the first sentence especially when arguing a point where it may well be followed by further information, examples etc.. If the writing is exploring a point, it frequently comes as the last sentence, drawing a conclusion from the argument.

Utterance: is a complete unit of speech (what one speaker says before the next starts), ranging from a single word to the longest uninterrupted speech possible.

Word: is the smallest unit of a language that can exist on its own in either written or spoken language. A morpheme such as -ly, used to create an adverb cannot exist without the adjective it modifies; it is not a word, although the adjective it modifies can exist alone and, therefore, is a word:

Ex: The woman was robbed. (4 words- an article a noun an auxiliary verb and a past participle. ‘Robbed’ consists of the verb ‘rob’ and the -ed morpheme to show that it is a past participle so the sentence has 5 morphemes.)

Reference:

http://www.usingenglish.com/glossary.html

December 23, 2009

January Session 2010

Filed under: English Composition — Connie @ 7:06 pm

January ‘10 Registration is Open
Classrooms
open Jan 4, 2010
Registration closes Jan 6, 2010
First lesson posts Jan 9, 2010

Course Fees:
$30.00 New Students
$24.00 Returning Students

Courses are 6 weeks long unless otherwise noted.
Certificates of Completion are available.

December 5, 2009

Sample Writing Process Work Sheet Analysis

Filed under: English Composition — Tags: — Connie @ 9:24 pm

Sample Writing Process Work Sheet Analysis
Analyze your writing process and answering the following questions about your essay. Some of the organization will depend on the type of essay that you are writing.
1) Determine your audience(s):
2) Determine the purpose and assignment requirements.
3) Write a thesis statement for the essay. The thesis statement is the core of your essay and the thesis is used to develop the content of the essay. The thesis statement is usually a single sentence that summarizes what you are going to be discussing in the body of your essay; it is usually found as the last sentence of your introduction; and the topics to back up your thesis should be mentioned in the introduction along with the thesis statement.
4) Gather information about the main topics from the thesis statement.
5) Organization of ideas in a logical outline for your purpose, which should be in the same order as you list the topics in the thesis statement.
6) Convert the outline into paragraphs. Each paragraph in the body of your essay needs to focus on one particular point that substantiates the thesis statement. Each paragraph should start with a topic sentence; a concrete example or illustration to back up your assertion; and the paper should be cinematic and specific in regards to the word choices in the essay.

7) Unity and coherence of paragraphs in relationship to the thesis as well as unity within each paragraph.

8) Make sure you concrete words such as cat, chair, dog, eye patch, front door, hot, leather high heels, leather work boots, nose ring, rocking chair, sailboat, sand paper, specific colors, specific trees or plants, spoon, table, velvet, walking, and so forth because these terms refer to objects or events we can see or hear or feel or taste or smell, their meanings are pretty stable. For example, if you ask me what I mean by the word spoon, I can pick up a spoon and show it to you.

9) Edit sentences for grammatical, mechanics, spelling, and structure.

10) Proofread each sentence and paragraph separately. Try reading your essay out loud because it allows you to notice if you need to clarify a sentences with different word choices, punctuation, and so forth. Also, having a friend or family member read your essays for you will help in several manners because they did not write the essay and they should be able to notice areas in your paper that need clarifying for better understanding and grammatical and mechanical errors easier.

Other comments: Smarthinking Resources
Smarthinking is a great resource that Ashford provides free to students, which I recommend to everyone that they should take advantage of this service. The tutors are well qualified and they will help you improve your writing skills, math, English as a Second Language, science, accounting, and so forth. Many college offer this service for free for students enrolled in the university.

December 3, 2009

Preliminary Outline Form

Filed under: English Composition — Tags: — Connie @ 6:47 pm

Making an outline for an essay can be overwhelming. You start asking yourself, “What is my essay about? How am I going to back up my claims? What if I’m still unsure about how to plan an essay? How will I keep track of it all?”

If you have a general idea of what you want to do in your essay and you know which quotations or research information that you want to use, you’re actually in a better situation than you think. You’re ready to create a rough outline!

So, before you start structuring your ideas into a formal (also known as “traditional”) outline, use this worksheet to create a Preliminary Outline. For more help with developing a thesis statement, use the Thesis Statement Guide in the Writing Center.

Introduction – Thesis Statement: ______________________________________________________________

________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

Body Paragraph #1

Topic sentence: ___________________________________________________________________________

________________________________________________________________________________________

Supporting evidence:

Body Paragraph #2

Topic sentence: ___________________________________________________________________________

________________________________________________________________________________________

Supporting evidence

Body Paragraph #3

Topic sentence: ___________________________________________________________________________

________________________________________________________________________________________

Supporting evidence

Conclusion – Thesis Statement: ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

November 2, 2009

Attending to Grammar

Filed under: English Composition — Tags: — Connie @ 11:58 am

Attending to Grammar

A Brief Introduction

Grammar is more than just a set of rules. It is the ever-evolving structure of our language, a field which merits study, invites analysis, and promises fascination.

Don’t believe us? Didn’t think you would.

The fact is that grammar can be pretty dull: no one likes rules, and memorizing rules is far worse than applying them. (Remember studying for your driver’s test?) However, as I’ve said, grammar is more than this: it is an understanding of how language works, of how meaning is made, and of how it is broken.

You understand more about grammar than you think you do. Brought up as English speakers, you know when to use articles, for example, or how to construct different tenses, probably without even thinking about it. (Non-native speakers of English may struggle with these matters for years.)

However, when you write, even as a native speaker of English, you will encounter problems and questions that you may not know how to answer. “Who” or “whom?” Comma or no comma? Passive, or active?

To answer these questions, you will want to have a handbook on hand. Handbooks are available at RWIT; tutors are also available to help you find what you need.

Most Commonly Occurring Errors

Would grammar seem more manageable to you if we told you that writers tend to make the same twenty mistakes over and over again? In fact, a study of error by Andrea Lunsford and Robert Connors shows that twenty different mistakes comprise 91.5 percent of all errors in student texts. If you can control these twenty errors, you will go a long way in creating prose that is correct and clear.

Below is an overview of these errors, listed according to the frequency with which they occur. Look for them in your own prose.

1. Missing comma after introductory phrases.

For example: After the devastation of the siege of Leningrad the Soviets were left with the task of rebuilding their population as well as their city. (A comma should be placed after “Leningrad.”)

2. Vague pronoun reference.

For example: The boy and his father knew that he was in trouble. (Who is in trouble? The boy? His Father? Some other person?)

3. Missing comma in compound sentence.

For example: Wordsworth spent a good deal of time in the Lake District with his sister Dorothy and the two of them were rarely apart. (Comma should be placed before the “and.”)

4. Wrong word.

This speaks for itself.

5. No comma in nonrestrictive relative clauses.

Here you need to distinguish between a restrictive relative clause and a nonrestrictive relative clause. Consider the sentence, “My brother in the red shirt likes ice cream.” If you have TWO brothers, then the information about the shirt is restrictive, in that it is necessary to defining WHICH brother likes ice cream. Restrictive clauses, because they are essential to identifying the noun, use no commas. However, if you have ONE brother, then the information about the shirt is not necessary to identifying your brother. It is NON-RESTRICTIVE and, therefore, requires commas: “My brother, in the red shirt, likes ice cream.”

6. Wrong/missing inflected ends.

“Inflected ends” refers to a category of grammatical errors that you might know individually by other names – subject-verb agreement, who/whom confusion, and so on. The term “inflected endings” refers to something you already understand: adding a letter or syllable to the end of a word changes its grammatical function in the sentence. For example, adding “ed” to a verb shifts that verb from present to past tense. Adding an “s” to a noun makes that noun plural. A common mistake involving wrong or missing inflected ends is in the usage of who/whom. “Who” is a pronoun with a subjective case; “whom” is a pronoun with an objective case. We say “Who is the speaker of the day?” because “who” in this case refers to the subject of the sentence. But we say, “To whom am I speaking?” because, here, the pronoun is an object of the preposition “to.”

7. Wrong/missing preposition.

Occasionally prepositions will throw you. Consider, for example which is better: “different from,” or “different than?” Though both are used widely, “different from” is considered grammatically correct. The same debate surrounds the words “toward” and “towards.” Though both are used, “toward” is preferred in writing. When in doubt, check a handbook.

8. Comma splice.

A comma splice occurs when two independent clauses are joined only with a comma. For example: “Picasso was profoundly affected by the war in Spain, it led to the painting of great masterpieces like Guernica.” A comma splice also occurs when a comma is used to divide a subject from its verb. For example: “The young Picasso felt stifled in art school in Spain, and wanted to leave.” (The subject “Picasso” is separated from one of its verbs “wanted.” There should be no comma in this sentence, unless you are playing with grammatical correctness for the sake of emphasis – a dangerous sport for unconfident or inexperienced writers.)

9. Possessive apostrophe error.

Sometimes apostrophes are incorrectly left out; other times, they are incorrectly put in (her’s, their’s, etc.)

10. Tense shift.

Be careful to stay in a consistent tense. Too often students move from past to present tense without good reason. The reader will find this annoying.

11. Unnecessary shift in person.

Don’t shift from “I” to “we” or from “one” to “you” unless you have a rationale for doing so.

12. Sentence fragment.

Silly things, to be avoided. Unless, like here, you are using them to achieve a certain effect. Remember: sentences traditionally have both subjects and verbs. Don’t violate this convention carelessly.

13. Wrong tense or verb form.

Though students generally understand how to build tenses, sometimes they use the wrong tense, saying, for example, “In the evenings, I like to lay on the couch and watch TV” “Lay” in this instance is the past tense of the verb, “to lie.” The sentence should read: “In the evenings, I like to lie on the couch and watch TV.” (Please note that “to lay” is a separate verb meaning “to place in a certain position.”)

14. Subject-verb agreement.

This gets tricky when you are using collective nouns or pronouns and you think of them as plural nouns: “The committee wants [not want] a resolution to the problem.” Mistakes like this also occur when your verb is far from your subject. For example, “The media, who has all the power in this nation and abuses it consistently, uses its influence for ill more often than good.” (Note that media is an “it,” not a “they.” The verbs are chosen accordingly.)

15. Missing comma in a series.

Whenever you list things, use a comma. You’ll find a difference of opinion as to whether the next-to-last noun (the noun before the “and”) requires a comma. (”Apples, oranges, pears, and bananas…”) Our advice is to use the comma because sometimes your list will include pairs of things: “For Christmas she wanted books and tapes, peace and love, and for all the world to be happy.” If you are in the habit of using a comma before the “and,” you’ll avoid confusion in sentences like this one.

16. Pronoun agreement error.

Many students have a problem with pronoun agreement. They will write a sentence like “Everyone is entitled to their opinion.” The problem is, “everyone” is a singular pronoun. You will have to use “his” or “her.”

17. Unnecessary commas with restrictive clauses.

See the explanation for number five, above.

18. Run-on, fused sentence.

Run-on sentences are sentences that run on forever, they are sentences that ought to have been two or even three sentences but the writer didn’t stop to sort them out, leaving the reader feeling exhausted by the sentence’s end which is too long in coming. (Get the picture?) Fused sentences occur when two independent clauses are put together without a comma, semi-colon, or conjunction. For example: “Researchers investigated several possible vaccines for the virus then they settled on one”

19. Dangling, misplaced modifier.

Modifiers are any adjectives, adverbs, phrases, or clauses that a writer uses to elaborate on something. Modifiers, when used wisely, enhance your writing. But if they are not well-considered – or if they are put in the wrong places in your sentences – the results can be less than eloquent. Consider, for example, this sentence: “The professor wrote a paper on sexual harassment in his office.” Is the sexual harassment going on in the professor’s office? Or is his office the place where the professor is writing? One hopes that the latter is true. If it is, then the original sentence contains a misplaced modifier and should be re-written accordingly: “In his office, the professor wrote a paper on sexual harassment.” Always put your modifiers next to the nouns they modify.

Dangling modifiers are a different kind of problem. They intend to modify something that isn’t in the sentence. Consider this: “As a young girl, my father baked bread and gardened.” The writer means to say, “When I was a young girl, my father baked bread and gardened.” The modifying phrase “as a young girl” refers to some noun not in the sentence. It is, therefore, a dangling modifier. Other dangling modifiers are more difficult to spot, however. Consider this sentence: “Walking through the woods, my heart ached.” Is it your heart that is walking through the woods? It is more accurate (and more grammatical) to say, “Walking through the woods, I felt an ache in my heart.” Here you avoid the dangling modifier.

20. Its/it’s error.

“Its” is a possessive pronoun. “It’s” is a contraction for “it is.”

Becoming Your Own Grammar Tutor

Many of these errors you will find easy to spot and to correct. Perhaps you learned in high school to look for subject-verb agreement. Perhaps you consistently catch any confusion between “it’s” and “its.” Still, some of these errors will be harder to catch. How can you learn to handle these errors and to become your own grammar tutor?

The first thing that you might do is to make a trip to RWIT. We have tutors here that might help you with grammar questions. They might help you to see patterns of error in your work, and they can give you advice as to how to eliminate these errors. They can also help you to get used to using a handbook. Every student writer should have a handbook on his desk as he writes. Even the experienced writer comes across grammar questions that she needs answered. In creating this Web page, for example, I consulted my handbook three times.

When reading your papers for grammar errors, you’ll want to make note of a few things.

First, determine whether the error is a matter of carelessness, or a pattern of error.

If you find a single run-on in your paper, there’s probably not much to worry about. Fix it, and be on your way. But if you notice that you tend to run on again and again, it’s time to think about the run-on. Do you understand the boundaries of the sentence? Do you understand the grammatical principles at work in determining these boundaries? If you think that you don’t, consult a tutor and/or a handbook. Come up with strategies for addressing the problem so that it doesn’t occur in future drafts.

Second, prioritize among your errors.

If you find that your grammar problems are serious ones, determine which of the problems are most serious and address them first. Problems that interfere with a reader’s understanding of your paper – misplaced modifiers, for example, or mistakes in punctuation – ought to be addressed first. If you have trouble determining which mistakes are most serious, visit RWIT. Our tutors can help you to map a course of study in matters of grammar.

Third, practice writing sentences.

The only way to learn to write grammatically is to practice, practice, practice. If your writing is very weak, you might benefit from doing sentence exercises in handbooks to strengthen your understanding of grammatical principles. You will also want to use our Grammar Drills. If your writing is fair to middling, you can play with your own sentences, writing and rewriting them to see how using commas, for example, might change the effect or even the meaning of a sentence.

And finally, understand that grammar COUNTS.

Your professors expect writing that is correct. They are irritated when you give them papers plagued by error. Your professors may or may not mark the errors on your papers. Don’t expect that if you have no red ink on your paper that it is error free. Some professors feel that you should have mastered grammar before college and that it is not their responsibility to point out your mistakes to you. Others will be more helpful and will let you know when your grammar has gone astray. Still, it is your responsibility to master the rules of the language that you speak and write. Learn them well.

Useful Links

Note: Many of these sites will have links to other grammar guides and resources.

Grammar & Style Guides

Grammar Points

Dictionaries & Thesauri

http://www.dartmouth.edu/~writing/materials/student/ac-paper/grammar.html

October 21, 2009

November Registration

Filed under: English Composition — Connie @ 10:56 am

Registration for the November 2009 session is open at LVS Online ~ Where
Learning Is Fun!

NEW courses include:
» jQuery: Enhancing Web Development
» Adobe Lightroom 2: Organize – Edit – Share!
» Photoshop 3D
» Photoshop Special FX
» Photoshop Elements 7: Basics
» Photoshop Elements 7: More Basics
» PSE 6 For the Mac: Ready, Set, Go! Part 1
» PSE 6 For the Mac: Ready, Set, Go! Part 2
» PSE: Actions & Styles & Plug-ins! Oh, My!
» Photoshop Elements: Learn to Love Layers
» PSE Photo Correction – Make your Photos Pop
» PSE: Photo Retouching and Restoration
» Photoshop Elements: Pizzazz
» Photoshop Elements: Using the Organizer
» Understanding and Helping the Special Needs Child

For more information, go to http://lvsonline.com/update

Remember that returning students receive a 20% discount!

Receive a $5 voucher for EACH new student you refer to LVS!  Advise
referrals to mention your name and email address in their registration form!
http://www.lvsonline.com/refer.shtml

Instructor-led classes begin October 31st.  There is limited seating so head
on over to LVS Online to enroll now!  http://www.lvsassociates.com/register/

Be sure to click on the “Class Information” link supplied in your
registration confirmation for IMPORTANT class information and special
offers!

October 4, 2009

Types of Plagiarism

Filed under: English Composition — Connie @ 11:12 pm

While defining plagiarism and telling students not to commit plagiarism are easy enough to do, identifying the types of plagiarism that exist it is not. According to Plagiarism.org, “Learning to recognize the various forms of plagiarism, especially the more ambiguous ones, is an important step towards effective prevention. Many people think of plagiarism as copying another’s work, or borrowing someone else’s original ideas. But terms like ‘copying’ and ‘borrowing’ can disguise the seriousness of the offense.” 1

Familiarize yourself with this list of plagiarism examples compiled by Plagiarism.org:

Sources Not Cited

  1. “The Ghost Writer” – The writer turns in another’s work, word-for-word, as his or her own.
  2. “The Photocopy” – The writer copies significant portions of text straight from a single source, without alteration.
  3. “The Potluck Paper” – The writer tries to disguise plagiarism by copying from several different sources, tweaking the sentences to make them fit together while retaining most of the original phrasing.
  4. “The Poor Disguise” – Although the writer has retained the essential content of the source, he or she has altered the paper’s appearance slightly by changing key words and phrases.
  5. “The Labor of Laziness” – The writer takes the time to paraphrase most of the paper from other sources and make it all fit together, instead of spending the same effort on original work.
  6. “The Self-Stealer” – The writer “borrows” generously from his or her previous work, violating policies concerning the expectation of originality adopted by most academic institutions.

Sources Cited (But Still Plagiarized)

  1. “The Forgotten Footnote” – The writer mentions an author’s name for a source, but neglects to include specific information on the location of the material referenced. This often masks other forms of plagiarism by obscuring source locations.
  2. “The Misinformer” – The writer provides inaccurate information regarding the sources, making it impossible to find them.

1 http://www.plagiarism.org/plag_article_types_of_plagiarism.html

  1. “The Too-Perfect Paraphrase” – The writer properly cites a source, but neglects to put in quotation marks text that has been copied word-for-word, or close to it. Although attributing the basic ideas to the source, the writer is falsely claiming original presentation and interpretation of the information.
  2. “The Resourceful Citer” – The writer properly cites all sources, paraphrasing and using quotations appropriately. The catch? The paper contains almost no original work! It is sometimes difficult to spot this form of plagiarism because it looks like any other well-researched document.
  3. “The Perfect Crime” – Well, we all know it doesn’t exist. In this case, the writer properly quotes and cites sources in some places, but goes on to paraphrase other arguments from those sources without citation. This way, the writer tries to pass off the paraphrased material as his or her own analysis of the cited material.

From Ashford Writing Center

September 30, 2009

Proofreading and Editing Strategies

Filed under: English Composition — Connie @ 11:13 pm

Many students do not realize that proofreading and editing is the final stage of the writing process. Every assignment—a discussion board post, essay, proposal, etc.—should be proofread and edited before submitting it to the instructor. Moreover, it is best to proofread and edit the final draft of an assignment.

To guide you in this process, here are some proofreading and editing strategies that work well:

Be Prepared for Proofing. Proofread and edit your assignment when you are most alert and are without distractions. Know the best time and place for you to concentrate. Also, print out a hard copy, have a pen or pencil in hand, and keep any necessary materials within reach—dictionary, style guide, writing handbook, notes, assignment description, old drafts.

Break the task down into small steps. Avoid proofreading and editing every aspect of the draft all at once. Instead, focus on one component at a time with each read. For example, you might have three proofreading and editing sessions in which you concentrate on the following separately: organization, mechanics (grammar & punctuation), and formatting style.

Proofread backwards. This means to read from the last sentence of the paragraph to its first sentence (bottom to top) or from the end of the sentence to its beginning (left to right). Proofreading backwards will help you “slow down” and consider each sentence or word separately. This strategy works best for isolating typos, misspellings, or missing words.

Read out loud. Reading what you wrote out loud to yourself can help you catch both grammatical errors and awkward organization or development of ideas. A variation on this strategy is having someone else read your paper out loud to you. By putting yourself in the role of the audience, you can hear what does not “flow” or make sense. Or, have this “second pair of eyes” read your draft to her or himself.

Know your computer. Learn to use the tools most word-processing software have. (Note: Refer to “A Basic Guide for Using Microsoft Word” in Writing Resources.

o Spell check – This does not mean, however, that you should not reread your paper on your own or have a friend, relative, or spouse look at it. Have a dictionary on hand to double-check your word choice vs. the spell check’s corrections or suggestions.

o The “Find” feature – This helps you to identify words and phrases you overuse, such as “they,” “it is,” and “it has been said that.”

o Thesaurus – Use it with care: bigger words are not always better.

???? Let your eyes rest. Take a break for a few minutes or hours. Working closely with your own writing for stretches of time can affect the way that you read the paper. You will overlook typos and simple mistakes if you do not allow your eyes to rest. Set small goals. Allow yourself enough time for proofreading and editing to avoid feeling overwhelmed or rushed.
From Ashford Writing  Center

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